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Sin Has A Soundtrack! (2008) self-financed HMM Rank: ![]() ![]()
Moreland's sophomore release is not the in-your-face, "Fuck Off!" tirade many people associate with the punk genre. Instead, Sin Has A Soundtrack! is a gloomy, grimy journey through the seedy underworld of West Coast alleys and dives. "Apathy" stands out as the most anarchistic track due to the lyrical content and Moreland's disgust-filled delivery, but still incorporates the riff-driven crunchiness and heavy bass groove that permeates the entire album. Those simple riffs and melodies, along with some well-placed keys and Moreland's disheveled vocals, are what make Sin Has A Soundtrack! such an accessible album. Imagine mixing the sleazy rock of early Mötley Crüe with the smothering weight of Danzig and you'll have a pretty good idea what Ravens Moreland is all about. Songs like "Gone Home To Hell" and "Cat On Fire" draw their energy from the L.A. rock scene of the mid-'80s, though they discard the flash and excess of that era for raw emotion and swagger. "Franky" is my favorite track of the EP, with an intensely groovy bass riff and mournful keys that all work together to compliment the lyrical content. Moreland's voice is rough but genuine and, except for a couple of ill-advised falsetto moments, is a perfect fit for the band's sound. Sin Has A Soundtrack! is a solid example of apocalyptic Post Punk, but not the glossy suburban styled muck passed off as punk by bands such as Green Day and Blink 182. If that's what you're looking for, Ravens Moreland will kick your ass and leave you weeping in the gutter.
Reviewed 12/23/2008
Official Ravens Moreland MySpace Page
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